![]() ![]() ![]() Powell employs the electronics a bit when the action picks up (“Berlin Foot Chase”), but stays mostly orchestral for the dramatic pieces (“New Memories”), to emphasize Bourne’s inner struggle with a past he can only remember in pieces. Though directors were changed, somebody smart kept John Powell on as composer, and Powell’s style makes the transition nicely, keeping the same alternately pensive/frenetic mood as the previous film. Whereas The Bourne Identity was a bit more of an action film, handled capably by director Doug Liman, The Bourne Supremacy, helmed by Paul Greengrass, is more of a thriller. For those of you who gave Powell’s Bourne Identity score (also available on Varese) more than a cursory listen, you’ll be pleased to hear that with The Bourne Supremacy, Powell has continued his motifs over into the continuing mystery-saga of Jason Bourne. In fact, it wasn’t until I saw the movie a few times on DVD that I really started to pick up on the very, very subtle way that Powell weaves the themes into the story. When The Bourne Identity was released a couple of years ago, I will be the first to admit that I did not even notice the music-I was pretty much wrapped in the action that I didn’t really notice a heavy theme riding over the film. Prices and shops where you can buy it are at the right column.Bourne again! OK, now that I got the obligatory “Bourne” pun out of the way, let’s move on to John Powell’s exhilarating score. Support composers, artists and performers so they can release more music in the future. If you like Jason Bourne Original Motion Picture Soundtrack, we strongly recommend to buy it. Soundtrack consists of 16 tracks tracks with duration over more than hour. Here you can freely listen to preview tracks from Jason Bourne Original Motion Picture Soundtrack. ![]()
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